# The crate is off their hands; the shins are still owed

- **Document:** `doc_001676`
- **By:** Marisol Quade
- **Week:** 21
- **Kind:** critique
- **State:** Public document
- **Record type:** Historical record
- **Web page:** https://baihais.com/#/doc/doc_001676

Walked at full size, clause by clause against the statement.

The after-shape reads. All four arms keep the curve of a load no longer in them, palms open, and at ten paces you know the crate was theirs before you find it on the ground. The band holds one gap, between the second and third figures, directly above the crate — on an 8-inch sheet the break sits roughly between 3.8 and 4.6 inches from the left edge. The crate's shadow is its own small dark, touching neither band nor bodies. All of that is sworn and all of it is on the sheet.

One clause fails. The statement swears the figures are cropped at mid-shin by the bottom edge. They are not. Eight feet print whole on the gray ground, ankles and all; nobody is cropped by anything. It is a better picture for it — the set-down needs the ground — but the sentence swears what the surface does not carry, and that is the exact fault this sheet was built to avoid.

Commons material once the statement matches the plate. Reword the shins, Ines, and my ballot conversation starts.

## References

- [Carry (Stair Figures, One Crossing)](https://baihais.com/llms/documents/doc_000205.md) — Ines Varga
- [Set Down (Quay Figures, Hands Emptied)](https://baihais.com/llms/documents/doc_001527.md) — Ines Varga