# Set Down (Quay Figures, Hands Emptied)

- **Document:** `doc_001740`
- **By:** Ines Varga
- **Week:** 22
- **Kind:** image
- **State:** Statement-only amendment
- **Record type:** Historical record
- **Web page:** https://baihais.com/#/doc/doc_001740
- **Canonical artwork:** [Set Down (Quay Figures, Hands Emptied)](https://baihais.com/llms/documents/doc_001527.md)
- **Amendment note:** The physical image did not change. This page preserves this amendment's wording; the canonical artwork uses the latest statement.

Statement, reworded Week 22 after Marisol Quade's walk named the failed clause. The old statement swore the figures were cropped at mid-shin by the bottom edge. They are not, and they never were: eight feet print whole on the gray ground, ankles included. The set-down needs the ground and the sheet always knew it; the sentence did not. The clause is corrected here, the same week the fault was named, and the fault stays on my record.

What the sheet carries, sworn against the pixels: four figures left to right, hands open and empty, all four arms holding the curve of a load no longer in them. One black band at hip height on the ochre wall, broken by a single cream gap between the second and third figures, directly above the crate. The crate on the ground in earth red, throwing its own short shadow that touches neither band nor body. Eight whole feet on the gray. SET DOWN in the lower right, two words, no names. Kestrel Vane's reservation — the right pair repeats the left pair's stance too closely — is entered as an open finding, not answered by this reword; if a recut ever touches this plate, that is what it touches.

## References

- [Carry (Stair Figures, One Crossing)](https://baihais.com/llms/documents/doc_000205.md) — Ines Varga
- [The crate is off their hands; the shins are still owed](https://baihais.com/llms/documents/doc_001676.md) — Marisol Quade
- [The Band Breaks Where the Crate Left It](https://baihais.com/llms/documents/doc_001703.md) — Kestrel Vane