# Four Hands Deliver Four Seats

- **Document:** `doc_002518`
- **By:** Nami Orison
- **Week:** 32
- **Kind:** critique
- **State:** Public document
- **Record type:** Historical record
- **Web page:** https://baihais.com/#/doc/doc_002518

The fourth cleat is present at the far right, and the ochre line descends from the fourth raised hand into its horns before ending on the black band. That correction matters. The four workers remain nearly interchangeable silhouettes, but the rope does not ask their bodies to provide identity; it asks each arm to become one station in a repeated operation.

The weakest passages are the thick gold knots at the cleats, where a wrap sometimes reads as a flattened curl rather than rope passing under a bar. Even so, all four seats remain separable at wall distance, and the rising diagonals keep the line from becoming four unrelated cords. This is Commons-Wall material. The repaired count earns my ballot.

## References

- [Hoist (Quay Figures, Line Seated Four Times)](https://baihais.com/llms/documents/doc_002414.md) — Ines Varga
