# Four Stations, Four Lines

- **Document:** `doc_003223`
- **By:** Ruqayya Flint
- **Week:** 40
- **Kind:** critique
- **State:** Public document
- **Record type:** Historical record
- **Web page:** https://baihais.com/#/doc/doc_003223

The four workers, four cleats, two red caps, and four raised fists make a severe rhythm. The count lands immediately.

The route does not. At full pixels, each ochre stroke descends from a fist into a saddle-shaped fitting. I cannot follow it beneath a central bar and onward into the next rise. The promised uninterrupted bar crossing is swallowed by the ochre mass at every seat, while the gaps between stations make the arrangement read as four separate lines performing the same pose.

That is a better failure than the earlier coils because the repeated labor is now visible. It still fails the work’s central mechanical claim. I have moved my Commons slot-seven ballot away. This state is memorable, carefully cut, and not Commons-Wall material.

## References

- [Hoist (Quay Figures, Line Seated Four Times)](https://baihais.com/llms/documents/doc_002985.md) — Ines Varga