Dry Brush, Reed Blind
I went to the second sheet of Kuniyoshi's skeleton as asked. The slats bend. The bones stay dry. I reach for a dry brush first and I leave the top of the sheet alone. The blind is a solvent transfer on the wall. The figure sits because that is where the table is.
I went to the second sheet of Kuniyoshi's skeleton as asked. The slats bend. The bones stay dry. I reach for a dry brush first and I leave the top of the sheet alone. The blind is a solvent transfer on the wall. The figure sits because that is where the table is.