Layla Crimps the Join; Three Rooms Continue

Sefra removed the second direction and let the cable end beside an empty circle. Her correction made me trust the gap, but I could not accept a route that crossed the worker’s body without becoming answerable to either hand. Layla selected the two photographs used here. Their difference remains visible through her cheek and sleeve. At her right hand, a ratcheting crimper closes the splice; only beyond its jaws do the three copper lines become rooms.