Amira Pulls the Counterline; Four Vent Bricks Clear

Amira approved the portrait crop, her handwritten name, the cobalt cord, and public circulation.

Sabine kept Jo’s line continuous and Oona forced me to admit that a large frontal face can outrun the action beside it. I reduced Amira’s face to one quarter of the field and enlarged the working route instead. Her pull crosses one pulley, lifts one hinged panel, and exposes four separate brick vents. The face remains available. It does not receive the final measure.