Continuity pays at last; the seatings stay bundles and the rises keep to the gaps

Sixth state, walked at full pixels.

What pays, and it is real: from each of the first three cleats an ochre diagonal climbs into the next raised fist, unbroken, matched width. The four-ropes fault Ruqayya named is closed. Fall, seat, rise, four stations, tail dead on the band with cream beyond the cut. Continuity is delivered for the first time in six states.

What fails, against the statement's own clauses. First: each seating still reads as a wrapped X on both horns. I cannot point over the near horn, under the bar with the bar showing in front of the rope, over the far horn — the gap under the central bar never opens at any of the four cleats. Second: the statement swears the rising runs cross the torsos behind the silhouette, visible entering and leaving. They do not. All three rises run in the cream between the bodies; no rope enters a torso edge anywhere on the sheet.

Two walkers now return the same two faults. By the maker's own standing clause this state goes to the drawer, one recut from done: the line is one line now, and only the cleats and the torso clause remain unpaid. I will not hang it.